Mostrando entradas con la etiqueta HD. Mostrar todas las entradas
Mostrando entradas con la etiqueta HD. Mostrar todas las entradas
23 feb 2010
15 ene 2010
Sony presenta su camcorder Modelo SRW-9000
Sony ha dado el siguiente paso adelante con el camcorder 24P de nueva generación, el SRW-9000 HDCAM SR. Éste ha heredado muchas de las excelentes cualidades del HDW-F900/F900R y ofrece una increíble movilidad operativa incluso bajo condiciones de grabación adversas gracias a su cuerpo compacto y su excelente rendimiento de imagen con el formato de grabación HDCAM SR. En 2000, Sony presentó el legendario HDW-F900: el primer modelo de la gama CineAlta de Sony "con capacidad 24P". A partir de ese momento, tanto el HDW-F900 como su modelo sucesor, el HDW-F900R, han satisfecho la demanda de gran calidad de imagen y versatilidad creativa en la producción televisiva de máxima audiencia, los anuncios publicitarios y la filmación de películas.
En la configuración estándar, el SRW-9000 puede realizar grabaciones en formato 4:2:2 Y/Cb/Cr a 10 bits con la más alta calidad, en 1080/23.98P, 24P, 25P y 29.97P, así como en 1080/50i y 59.94i. Además, el SRW-9000 puede grabar señales 4:2:2 720/50P y 59.94P, que pueden usarse para aplicaciones de programación y transmisión DTV. Para los usuarios que necesiten un mayor rendimiento creativo, se pueden añadir diversas tarjetas opcionales que les permitirán beneficiarse de la captura de imágenes RGB en formato 4:4:4 con ancho de banda 1080, la captura de imágenes y grabación SR Motion a una frecuencia de cuadro variable, gamma S-Log y entradas y salidas de señal adicionales.
Además de proporcionar una mejorada flexibilidad operativa y rentabilidad, el SRW-9000 es la opción ideal para cualquier persona relacionada con la industria del broadcasting que busque calidad de imagen HDCAM SR y una mayor libertad creativa. Tanto ahora como en el futuro, el SRW-9000 motivará el interés por increíbles producciones visuales en el cine digital, anuncios publicitarios, series de televisión y documentales.
Ahora, Sony ha dado el siguiente paso adelante con el camcorder 24P de nueva generación, el SRW-9000 HDCAM SR. Éste ha heredado muchas de las excelentes cualidades del HDW-F900/F900R y ofrece una increíble movilidad operativa incluso bajo condiciones de grabación adversas gracias a su cuerpo compacto y su excelente rendimiento de imagen con el formato de grabación HDCAM SR.
En la configuración estándar, el SRW-9000 puede realizar grabaciones en formato 4:2:2 Y/Cb/Cr a 10 bits con la más alta calidad, en 1080/23.98P, 24P, 25P y 29.97P, así como en 1080/50i y 59.94i. Además, el SRW-9000 puede grabar señales 4:2:2 720/50P y 59.94P, que pueden usarse para aplicaciones de programación y transmisión DTV. Para los usuarios que necesiten un mayor rendimiento creativo, se pueden añadir diversas tarjetas opcionales que les permitirán beneficiarse de la captura de imágenes RGB en formato 4:4:4 con ancho de banda 1080, la captura de imágenes y grabación SR Motion a una frecuencia de cuadro variable, gamma S-Log y entradas y salidas de señal adicionales.
Además de proporcionar una mejorada flexibilidad operativa y rentabilidad, el SRW-9000 es la opción ideal para cualquier persona relacionada con la industria del broadcasting que busque calidad de imagen HDCAM SR y una mayor libertad creativa. Tanto ahora como en el futuro, el SRW-9000 motivará el interés por increíbles producciones visuales en el cine digital, anuncios publicitarios, series de televisión y documentales.
Extraordinaria calidad de imagen HDCAM SR
El SRW-9000 es un camcorder HDCAM SR de una pieza que proporciona imágenes con resolución Full HD y emplea CCD IT de 2/3". Si combinamos este CCD con un conversor A/D de 14 bits de alta precisión y un procesado digital de señal, el camcorder es capaz de capturar y reproducir imágenes en 1080/60P y 1080/50P de gran calidad con alta sensibilidad y bajo nivel de ruido. Asimismo, la serie BP-GL de Sony de baterías incorporadas puede acoplarse para proporcionar una alimentación adicional. Gracias al soporte de grabación autosuficiente (basado en el formato HDCAM SR) y un diseño compacto de una pieza, el SRW-9000 ofrece un alto nivel de movilidad y comodidad de grabación, tanto en interiores como en exteriores.
Captura de imágenes digital RGB 4:4:4 con ancho de banda completo
La adición de la placa de procesado opcional HKSR-9003 RGB 4:4:4 permite al SRW-9000 ofrecer una capacidad de salida y un procesado de señal RGB de Alta Definición 4:4:4 digital con ancho de banda completo para las producciones cinematográficas más exigentes. El SRW-9000 también ofrece Gamma S-LOG con la misma placa opcional, permitiendo a los usuarios ajustar imágenes con total flexibilidad en el proceso de posproducción.
Captura de imágenes con frecuencia de cuadro variable
La adición de la tarjeta de memoria caché de imágenes HKSR-9002 permite al SRW-9000 realizar grabaciones a una frecuencia de cuadro variable de 1 fps a 60 fps en modo 4:2:2. Además, si se combina el HKSR-9002 con el HKSR-9003, puede desempeñar esta misma función incluso en el modo 4:4:4.
Gran variedad de visores
El SRW-9000 admite tres tipos de visores, incluyendo el HDVF-20A/200, HDVF-C35W y HDVF-C30WR. El nuevo HDVF-C30WR es idóneo para la utilización con el SRW-9000 y ofrece mejoras en las funciones de asistente de enfoque, un indicador de nivel de brillo del color y otras muchas prestaciones. Además, este visor también cuenta con LUT preinstaladas para Gamma S-Log, proporcionando a los usuarios un fácil ajuste de enfoque y un funcionamiento de toma de fotos intuitivo.
Ajustes de gamma versátiles
Incluye Gamma S-LOG (HKSR-9003), HyperGamma y curvas gamma personalizables (estándar).
Capacidad de regrabación con memoria caché
Cuando el camcorder está en modo de espera, todo lo capturado durante un máximo de tres segundos hasta la pulsación del botón REC se graba en la cinta HDCAM SR.
Ampliación E/S
Cuando se utiliza el HKSR-9001, se proporcionan salidas HD-SDI dual-link adicionales y un puerto de entrada AUX adicional, que permiten conectar el camcorder con un dispositivo multiplexor de audio externo.
Gran variedad de accesorios
El SRW-9000 es compatible con una amplia gama de accesorios para el HDW-F900, F23, SRW-1 y ARRI.
General--
Peso | Aprox. 6,5 kg |
Alimentación | 12 V CC +5/-1 V |
Consumo | Aprox. 57 W (durante la grabación, sin opciones, modo de ahorro de energía) |
Temperatura de funcionamiento | De 0°C a 40°C |
Temperatura de almacenamiento | De -20°C a +60°C |
Humedad | Del 10% al 90% (humedad relativa) |
Tiempo de funcionamiento continuado | Aprox. 80 min. con batería BP-GL95 |
Formato de grabación | Vídeo: HDCAM SR 440 Mbps, HDCAM SR 880 Mbps Espacio de color: 4:2:2, 4:4:4 SQ, 4:4:4 HQ (con HKSR-9003)Audio: 12 canales/24 bits/48 kHz |
Tiempos de grabación y reproducción | HDCAM SR 440 Mbps: 4:2:2, 4:4:4 SQ: 40 min. (30P)-50 min. (24P) HDCAM SR 880 Mbps: 4:4:4 HQ: 20 min. (30P)-25 min. (24P), 4:2:2, 4:4:4 SQ: 20 min. (60P)-24 min. (50P) |
Entradas/salidas---
ENTRADA GENLOCK | BNC x 1, 1,0 Vp-p, 75 Ω |
ENTRADA DE TC | BNC x 1, 0,5 V a 18 Vp-p, 10 kΩ |
ENTRADA SDI | - |
ENTRADA DE AUDIO | CH-1/CH-2: XLR de 3 pines (hembra) x 2, conmutable línea/Mic/Mic +48 V SMPTE 292M (audio embebido x12) (con HKSR-9001) |
ENTRADA DE MICRÓFONO | - |
TEST OUT | BNC x 1 (conmutable) HD Y/ SD compuesto (activación/desactivación de caracteres) BNC x 2 HD-SDI MON 1,2 (activación/desactivación de caracteres) HD-SDI SMPTE 292M (con audio embebido) |
HD-SDI OUT (Dual Link) | BNC x 2 (con HKSR-9001 opcional) HD-SDI OUT LinkA/B HD-SDI: SMPTE 292M (con audio embebido) HD-SDI Dual Link: SMPTE 372M (con audio embebido) |
SALIDA DE VÍDEO | - |
SALIDA DE AUDIO | - |
SALIDA DE TC | BNC x 1, 1,0 Vp-p, 75 Ω |
AURICULARES | Mini-jack x 1 (estéreo) |
ENTRADA DC | XLR de 4 pines (macho) x 1, de 11 a 17 V |
SALIDA DC | 4 pines x 1 (para receptor de micrófono inalámbrico), de 11 a 17 V CC (MÁX 0,5 A) |
OBJETIVO | 12 pines |
REMOTO | 8 pines |
LUZ | - |
ADAPTADOR PARA CÁMARA | - |
i.LINK | - |
MEMORY STICK | x 2 (para almacenar configuraciones, mantenimiento del magnetoscopio) |
Ethernet | - |
USB | - |
Especificaciones de audio--
Respuesta en frecuencia | De 20 Hz a 20 kHz, +0,5 dB/-1 dB |
Rango dinámico | Más de 100 dB |
Distorsión | Menos de 0,05% (a 1 kHz, nivel de referencia) |
Cruce (crosstalk) | Menos de -80 dB (a 1kHz, nivel de referencia) |
Fluctuación y trémolo | - |
Techo dinámico (headroom) | 20 dB |
Sección de cámara--
Selección de ganancia | -6, -3, 0, 3, 6, 9, 12 dB |
Nivel de smear | -135 dB (típica) |
Relación señal-ruido | 55 dB |
Resolución horizontal | 1.000 líneas de TV (en el centro de la pantalla) Modulación del 5% o superior |
Registro | Dentro del 0,02% (todas las zonas, sin objetivo) |
Dispositivo de captación | 3 chips CCD progresivos de 2/3" |
Píxels efectivos | 1920 (H) x 1080 (V) |
Sistema óptico | Prisma F1.4 |
Filtros ópticos incorporados | A: 3200K, B: 4300K, C: 5600K, D: 6300K, E: ND0.3 (1/2ND) 1: Clear, 2: ND0.6 (1/4ND), 3: ND1.2 (1/16ND), 4: ND1.8 (1/64ND), 5: CAP |
Velocidad de obturación | Ángulo de 360°~ 4,3° Modo continuo (ECS) |
Función de cámara lenta y cámara rápida | (con HKSR-9002) Seleccionable de 1 a 60 fps como frecuencia de cuadro de grabación |
Montura del objetivo | Montura de bayoneta de 2/3" resistente exclusiva de Sony (B4) |
Sensibilidad (2.000 lx, 89,9% de reflectancia) | 29.97 PsF: T11 ISO580 |
29 nov 2009
Amore Mio
A young lady anxiously awaits alone for his lover in a hotel, when he apperars she runs toward him with joy and happiness, a surprise awaits her
Amore Mio Fine Italian Jewelry Commercial Spot HD
#Jewelry #Italian #Video #Production #Spot
Credit Roll
Production & Direction
Jose Maria Noriega Fernandez
Editing & Post Production
Diego Noriega Mendoza
Talentos: By Queta Rojas
Jennifer Barrantes “Miss Costa Rica 2002”
Alberto Martins
Video
Guillermo Benitez
Staff
VideoWorld Mexico
Equipment Light & Grip
Camera by Canon Vixia HV30
Lenses By Canon & Raynox
Dolly By Independent Dolly
Audio By Sennheiser & Sony
Lights By Arri & Lowell
Making Of Camera By Nokia
Streaming Video by Qik
Edit Suite By Apple
Final Cut Studio 2 & Motion
Stock By Digital Juice Editors Toolbox
http://www.facebook.com/videoworld
Making OF by Nokia N95 Streaming by Qik
Making Of / Behind the Scenes
Most clients have some idea of what happens behind the production of a commercial, some not, this page illustrates the process easily.
Link
Talentos Jennifer Barrantes & Alberto Martins
Sígueme en: Follow me on Twitter
| La modelo y el estilista |
Celular Video Making OF by Nokia N95 Transmision en Vivo by Qik |
| Preparando la locación |
Una espléndida locación; Hotel de la Ciudad de México |
| Pruebas del Dolly |
| Pruebas del Dolly, la bella Jennifer se asoma |
| Dolly en movimiento |
| Angulo opuesto de la toma del Dolly |
| Spot Comercial Escena del Beso Jennifer Barrantes & Alberto Martins |
17 nov 2009
Nueva Cámara SONY NXCAM con tecnología AVCHD Full Raster 1080p
Sony lanza su nueva gama de cámaras: La NXCAM
La cámara parecida a la HVR-Z5 de formato HDV tiene excelentes mejoras full HD 1920 x 1080 en el sensor y graba formatos H.264 en AVCHD, con una tasa de datos de hasta 24 megabit por segundo
Tecnología de grabación y compresión MPEG-4 AVC/H.264 Long-GOP image compression.
Utiliza tarjetas memory sticks y las tarjetas NXCAM
Tiene HDSDI y HDMI a 4:2:2 y 10 bit y un nuevo control remoto de menús/foco/zoom
Tasas de muestreo •Full-raster 1080 (1920x1080) at 59.94i, 29.97p (truly native), or 23.976p (truly native)
•Subsampled 1080 (1440x1080) 59.94i
•Full-raster 720 (1280x720) at 59.94p
•Standard definition (720x480) at 59.94i
•Standard definition (720x480) at 29.97p recorded over 59.94i (not native)
•Standard definition (720x480) at 23.976p recorded over 59.94i (not native)
Nuevas opciones de grabación de audio
Según Juan Martínez de Sony, la NXCAM es la primera videocámara AVCHD que ofrece la opción de grabación de audio en PCM lineal de alta calidad, en lugar de los más comunes Dolby Digital.
Como muchas otras cámaras de Sony, NXCAM ofrece dos entradas XLR balanceadas, que se pueden ajustar individualmente, micrófono con alimentación phantom de 48-voltios.
La salida de auriculares dispone de un selector para elegir entre el seguimiento del canal 1, canal 2, o una mezcla.
También hay un menú de ajuste de la cámara para decir si los auriculares son estéreo o mono
NXCAM sensor y la óptica
El NXCAM primero usa un sensor de 1 / 3 " tecnología Exmor de bajo ruuido y un lente objetivo G similar al de la HVR- Z5 de Sony.
La NXCAM mejora la imagen de la Z5 (que sólo puede grabar sub-muestreo de 1080), ya que la NXCAM puede grabar completo el raster 1080 (1920x1080) .
Al grabar en modo 720p, NXCAM hace un sobremuestreo del video antes de grabar (como la PMW-EX1 y PMW-EX3 que también lo hacen en 720p).
Además, NXCAM tiene un gran estabilizador de imagen mejorado.
Opción Dual de grabación de archivos en memoria de tarjetas de estado sólido
La NXAM ofrece grabación ya sea para las tarjetas Sony Memory Stick PRO Duo, Memory Stick PRO Duo-HD, o la para la nueva unidad de memoria flash NXCAM.
Se han utilizado prototipos de 128 GB de esta nueva unidad de memoria flash NXCAM.
Esta unidad de memoria será opcional, y Sony todavía no ha fijado el precio por ello.
La NXCAM ofrece la opción de la creación de tipos idénticos o diferentes de grabación en la NXCAM y en Memory Stick.
Flexibilidad para monitoreo y salidas de grabación externa 4:2:2
La NXCAM ofrece salidas HDMI y SD / HD-SDI. Cuando la cámara está en modo LIVE, la salida HD-SDI es de 10 bits verdaderos 4:2:2.
A diferencia de otras cámaras, que tiene una salida LIVE HD-SDI con señal de 10-bit que ha sido derivada de una señal de 8 bits
La NXCAM (como la salidas de la EX1 y EX3) tiene una verdadera señal de 10 bits sobre HD-SDI, cuando se saca la señal LIVE en vivo.
Adicionalmente la señal de HD-SDI, incluye metadatos RP188, lo que significa que una grabación ideal se puede hacer con una grabadora como la Kipro Aja (10-bit) o la nanoFlash de Convergent Design que actualmente, maneja solamente 8-bits como y código de tiempo.
Grabacion MULTI camara de varias cámaras con código de tiempo coincidentes
Aunque este modelo no incluye entrada Genlock la NXCAM si incluye entradas y salidad i/o de código de tiempo, lo que permite sincronizar el reloj de múltiples NXCAMs después de hacer una sincronizacion de conexión por cable de carácter temporal. (Muy usada en conciertos de rock)
Utilizando el mismo conector, hay un interruptor para indicar si está siendo utilizado como una entrada o una salida.
De varias cámaras con código de tiempo coincidentes
Aunque este modelo no incluye NXCAM entrada Genlock, que incluye un código de tiempo i / o, lo que permite sincronizar el reloj de NXCAMs múltiples después de hacer una conexión por cable de carácter temporal. Utilizando el mismo conector, hay un interruptor para indicar si está siendo utilizado como una entrada o una salida.
Utilización de la NXCAM con mezcladores de vídeo pra estudios de TV ( "switchers")
Como se indicó anteriormente, NXCAM no incluye ninguna entrada Genlock. Sin embargo, recientemente muchos mezcladores de vídeo de alta definición ( "switchers") tienen un sincronizador incorporado en el sus entradas HD-SDI, lo que significa que NXCAM es un gran candidato para usar en estudios de televisión y los archivos ademas tienen una compresion muy eficiente por lo que se requieren menos Gigas de disco duro de almacenamiento en línea
Algunos de estos mezcladores de vídeo también incluye un retraso integrado de audio para compensar el retraso de vídeo, que es un mal necesario en los sincronizadores de cuadro.
Aunque la NXCAM incluye un control remoto inalámbrico, para una instalación de varias cámaras con un mezclador de vídeo, un control remoto con cable es mucho más apropiado.
Afortunadamente, la NXCAM es compatible con el CCU Sony RM-1000BP. Además de zoom y de posibilidad de empezar / detener una grabación, el RM-1000BP permite el acceso al iris, la ganancia, y todos los ajustes del menú de NXCAM.
Otros proveedores ofrecen cables largos con LANC, que permiten conectar el RM-1000BP hasta donde se encuentra el mezclador de vídeo, para facilitar el control y ajuste de las cámaras correspondientes.
GPS
La NXCAM incluye un GPS integrado, que añade metadatos geográficos a las grabaciones de vídeo.
Esta información ya está disponible en las aplicaciones de Apple como el iPhoto '09 y me imagino que será saldrá en iMovie '10 muy pronto.
Más detalles
Por ahora, Sony no tiene información exacta del número de modelo o del precio.
Se esperan más detalles en Enero del 2010
10 nov 2009
Compra cualquier cámara Canon EOS y participa en el Gran Sorteo EOS con fabulosos premios
Compra cualquier cámara Canon EOS participa Gran Sorteo EOS fabulosos premios 1 Toyota Corolla 20 Pantallas 32" 30 ipod
Compra tu Cámara Canon EOS
UNETE a la Red profesional de Producción de Contenidos en FACEBOOK
UNETE a la Red Profesional de Talentos y Productores en FACEBOOK
UNETE a la Red profesional de Producción de Contenidos en FACEBOOK
UNETE a la Red Profesional de Talentos y Productores en FACEBOOK
22 oct 2009
Nuevas cámaras de Sony PMW-EX1R y PMW-350
Sony acaba de anunciar dos nuevas cámaras XDCAM EX. La primera es la version revisada de la PMW-EX1 ahora llamada PMW-EX1R, esta nueva versión incluye la posibilidad de grabación SD en formato DVCAM, salidas por HDMI y Boton de Iris de 1 click.
Sony también anunció la nueva Sony PMW-350. Esta videocámara de formato de hombro, tiene 3 sensores CMOS de 2/3” y graba en tarjetas de estado sólido SxS (dos slots).
Sony también presentó sus tarjetas de memoría de grabación de video HD
La SxS-1 una tarjeta de 32Gb y una vida útil estimada de 5 años; y el adaptador MEAD-MS01, que permite la grabación en tarjetas Memory Stick Pro HG Duo
La Camcorder Sony PMW-350, se incluye con un visor de color y una lente Fujinon de 2/3″ y 16x, con montura de Bayoneta B4.
La disponibilidad esperada es a partir de enero
$22.000 Dólares mas IVA con lente FUjinon
$20.500 Dolares mas IVA sin lente
22 abr 2009
Cámara para Video Extremo Sony HXR-MC1 Digital HD Video Camera Recorder
Sony HXR-MC1 Digital HD Video Camera Recorder
Graba en Alta Definición 1920 x 1080
Adaptador AC Adapter Power Cord
Cable Component A/V Cable
Cable A/V Connecting Cable
Cable USB Cble
Bateria NP-FH60 Rechargeable Battery Pack
Gancho Controller Hook
Adaptador Cable Clamper
CD-ROM (Video Camera Application Software)
CD-ROM (Manuals for Digital HD Video Camera Recorder)
Manual Operating Guide
Solo en Venta
Precio de Venta $4580 Dólares mas IVA
3 mar 2009
Instalación de un sistema de Television en vivo para Universidades y Estudios de Television HD bajo demanda
Esta es una solución para una Universidad que estamos instalando
Focus HX-2 Solución HD y SD para mezclado en vivo
El Switcher Focus HX2 es el mezclador perfecto para producciones de television HD en vivo para Universidades,canales de noticias bajo demanda CONTENT ON DEMAND, estaciones de noticias de empresas y cadenas de cable, deportes, conciertos, iglesias, conferencias, etc.
Incluye (8) entradas SD/HD-SDI y (7) Salidas SD/HD-SDI outputs. Ya sea de cámaras HD, Cassstteras, y Grabadoras de Disco
El diagrama nos muestra una tipica configuracion para un camión de producción en vivo
Input x8 HD-SDI (SMPTE 292M* 1080i/525i; 75-ohm; BNC)
x2 HD-SDI (SMPTE 292M* external key and fill inputs; BNC)
x2 reference video input (BNC)
x2 tri-level sync (0.6 Vpp) or BB (0.429 Vpp) with loop-through (BNC) Output x7 HD-SDI outputs x1 video effects x1 key x1 preview x2 utility x2 line/program Formats 1080i/59.94i
1080i/50
525/60 Processing Capacity 10-bit internal processing Control x1 video effects control port (25-pin D-sub)
x1 tally output (1 channel red; channel green) (DB-25)
x1 external control panel port (BNC)
x2 utility 1 and 2 control port (25-pin D-sub) Power Source Power source: 90-240VAC 50Hz/60Hz
Power consumption main unit: 45W (50W with dual power supplies)
Power consumption control panel: 15W Dimensions (WxDxH) Control panel: 8-11/16 x 10-11/16 x 4" (221.5 x 272 x 101mm)
Optional external controller: 1-11/16 x 8.4" x 2" (43.7 x 215 x 51.6mm)
Main chassis: 1-11/16 x 18-7/8 x 17-11/16" (44 x 480 x 450mm) Weight Main unit: 17.6 lbs (8kg) Control panel: 6.6 lbs (3kg)
$16,495 Dólares más IVA
Nuevo en stock entrega inmediata
Baja el Folleto
Focus HX-2 Solución HD y SD para mezclado en vivo
El Switcher Focus HX2 es el mezclador perfecto para producciones de television HD en vivo para Universidades,canales de noticias bajo demanda CONTENT ON DEMAND, estaciones de noticias de empresas y cadenas de cable, deportes, conciertos, iglesias, conferencias, etc.
Incluye (8) entradas SD/HD-SDI y (7) Salidas SD/HD-SDI outputs. Ya sea de cámaras HD, Cassstteras, y Grabadoras de Disco
El diagrama nos muestra una tipica configuracion para un camión de producción en vivo
Input x8 HD-SDI (SMPTE 292M* 1080i/525i; 75-ohm; BNC)
x2 HD-SDI (SMPTE 292M* external key and fill inputs; BNC)
x2 reference video input (BNC)
x2 tri-level sync (0.6 Vpp) or BB (0.429 Vpp) with loop-through (BNC) Output x7 HD-SDI outputs x1 video effects x1 key x1 preview x2 utility x2 line/program Formats 1080i/59.94i
1080i/50
525/60 Processing Capacity 10-bit internal processing Control x1 video effects control port (25-pin D-sub)
x1 tally output (1 channel red; channel green) (DB-25)
x1 external control panel port (BNC)
x2 utility 1 and 2 control port (25-pin D-sub) Power Source Power source: 90-240VAC 50Hz/60Hz
Power consumption main unit: 45W (50W with dual power supplies)
Power consumption control panel: 15W Dimensions (WxDxH) Control panel: 8-11/16 x 10-11/16 x 4" (221.5 x 272 x 101mm)
Optional external controller: 1-11/16 x 8.4" x 2" (43.7 x 215 x 51.6mm)
Main chassis: 1-11/16 x 18-7/8 x 17-11/16" (44 x 480 x 450mm) Weight Main unit: 17.6 lbs (8kg) Control panel: 6.6 lbs (3kg)
$16,495 Dólares más IVA
Nuevo en stock entrega inmediata
Baja el Folleto
17 sept 2008
Canon EOS 5D Mark II 21.1 Megapixels Full HD
The Canon 5D MkII has been announced, it is a DSLR camera with a full-frame, 21.1-megapixel sensor, the first to shoot full HD video, and with Digic 4 processor, Canon low-light performance on par with that of Nikon's D3 & D700 an ISO range from 100 to 6400, extendable up to 12,800 and 25,600. Add high speeds and first-in-class video capabilities
•14-bit conversion
•3.9FPS unlimited burst rate with JPEG using UDMA CF card, or 14 RAW (standard CF card is 78 JPEG, 13 RAW
•Four-channel readout that's 2.2x faster than the 5D
•Lens peripheral illumination correction
•15-point auto-focus
•Creative auto mode, also like 50D
•Auto-lighting optimizer
•Three levels of noise reduction that kicks in above ISO800•RAW, sRAW1 (10MP), sRAW2 (5MP)
•Three-inch, 920,000 dot-screen•New and improved battery (incompatible with old one) that delivers 850 shots or 1.5 hours of video•150,000 cycle shutter
•Magnesium alloy body
•NO built-in flash
CANON U.S.A. INTRODUCES THE HIGHLY ANTICIPATEDEOS 5D MARK II DSLR CAMERA FEATURING FULL-FRAME HD VIDEO CAPTURE
The Canon EOS 5D Mark II Escalates Full-Frame Digital SLR Photography to the Next Level withHD Movie Recording Capabilities, DIGIC 4 Imaging Processor, and 21.1 Megapixel Resolution
LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon’s highly popular EOS 5D, introduced in 2005.
Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers.
Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon’s EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor, DIGIC 4 imaging processor and significantly lower noise, with an expanded sensitivity range from ISO 50 to ISO 25,600.
“The anticipation surrounding the launch of this camera model has exceeded our greatest expectations, and we believe our loyal customers will be awed by the level of innovation and features built into the new EOS 5D Mark II Digital SLR. Once they have the chance to experience the camera, we believe they will agree that it was worth the wait,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
Among the many advancements in Canon’s new EOS 5D Mark II camera is the Company’s proprietary DIGIC 4 Imaging Processor that powers the camera’s fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor and continuous shooting at 3.9 frames per second (fps) for an unlimited number of full-resolution JPEGs to the capacity of the memory card or up to 14 RAW images in a single burst when using a UDMA CF card.
The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance.
The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera’s 2.5-inch screen, for enhanced clarity and color when viewing images.
The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage, giving a new dimension to the saying, “what you see is what you get.” Professional photographers will also appreciate the enhanced 150,000-cycle shutter durability of the EOS 5D Mark II camera.
Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera’s newly developed full-frame CMOS image sensor.
Utilizing proprietary Canon technology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stops higher than the ISO 3200 limit of the original EOS 5D camera.
Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction.
By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.
With the combination of its improved CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS 5D Mark II camera provides ISO speeds from ISO 100 up to ISO 6400 in 1/3-stop increments, along with two high-speed settings – H1 and H2 – of ISO 12800 and ISO 25600, respectively, as well as a low-speed setting of ISO 50. The full-frame sensor maximizes the performance of Canon EF lenses, the world’s largest selection of autofocus lenses.
HD and SD Video CaptureCanon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR.
Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera.
Video capture is part of the camera’s Live View function, using the Picture Style that has been set for Live View still image shooting.
This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image.
When recording video, the camera’s rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera’s HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.
The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first.
Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition.[i]camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV. Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM[ii] without compression.
The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II
Live View Shooting
For both still images and video, the Canon EOS 5D Mark II camera features Live View, one of the most sought after features in digital SLRs today. The 5D Mark II features three Live View AF modes – Quick, Live and Face Detection Live mode – for capturing either still photos or video, each with its own attributes. Quick mode automatically sets One-Shot AF using the camera’s phase detection AF system. It also allows users to select the AF point, even while the Live View image is displayed. Although the camera’s reflex mirror must be lowered briefly to take an AF measurement in Quick mode, it is the fastest way to set focus automatically when the 5D Mark II camera is set for Live View.
Live mode uses contrast-detection AF with the image sensor and here, as with Quick mode, users can change the AF point using the Multi-controller. Face Detection Live mode uses contrast AF to recognize human faces. When multiple faces are detected, the largest face closest to the center of the frame is targeted as the AF point. While Live View is engaged users can still change settings including the AF mode (Quick, Live, Face Detection Live mode), drive mode, ISO speed, Picture style, White Balance, and more.
Peripheral Illumination CorrectionThe Canon EOS 5D Mark II Digital SLR camera automatically conducts peripheral illumination correction when shooting JPEG images, a function that previously could only be accomplished through post-image processing using software such as Canon’s Digital Photo Professional, which Canon supplies at no extra charge. Peripheral illumination correction evens brightness across the image field, making an image of a blue sky even toned throughout and reducing light fall-off at image edges. This new feature essentially eliminates one of the limitations of previous full-frame digital SLRs.
Auto Lighting OptimizerCanon’s enhanced Auto Lighting Optimizer technology helps ensure each picture’s subject is clearly visible by analyzing image brightness and automatically adjusting dark areas in images so that they appear brighter.
This function is ideal in high-contrast situations such as urban landscapes captured on sunny days, where the tops of buildings are brightly lit while street level details are obscured by heavy shadows. In this type of scene, the 5D Mark II camera’s Auto Lighting Optimizer technology preserves accurate exposure of the highlights while opening up the shadow areas for a more pleasing tonal rendition.
Canon’s New Creative Auto ModeRecently introduced with the new EOS 50D, Canon’s “CA” Creative Full Auto setting can also be found on the EOS 5D Mark II Digital SLR camera’s mode dial. This setting allows users to make image adjustments such as aperture or shutter speed through an easy-to-understand navigation screen on the camera’s LCD menu, allowing them to “blur the background” or “lighten or darken the image.” These easy-to-understand image options allow photographers to experiment with image options while still shooting in an automatic mode.
Two Small RAW Formats
For photographers seeking the flexibility and creative possibilities of shooting RAW format images, without the large file size, the Canon EOS 5D Mark II Digital SLR camera offers two more manageable file size options with sRAW1 and sRAW2 recording formats. At the sRAW1 setting, resolution is 10.0-megapixels with a file size that is approximately 25 percent smaller than a standard 21.1-megapixel RAW image. With the sRAW2 setting, resolution is 5.2 megapixels at less than half the file size of a standard RAW image, retaining all of the flexibility and creative possibilities associated with full-size, conventional RAW images. Wedding and portrait photographers, in particular, will appreciate the options of variable resolution and file size which allow them to fine-tune the 5D Mark II’s operation for their specific needs.
Silent Shooting in Live ViewCanon has equipped the EOS 5D Mark II with two Silent Shooting modes in Live View which will prove particularly helpful to law enforcement officials, and for behind-the-scenes shooting on movie sets. In Mode 1, the camera will shoot with the mechanical shutter open at the beginning of the exposure, using the electronic 1st-curtain function of the CMOS sensor and a reduced shutter-cocking noise, allowing multiple shots to be taken with minimal noise. In Mode 2, to minimize shutter noise during single frame photography, shutter cocking does not occur until the shutter button returns to the half-way position after shooting.
EOS Integrated Cleaning SystemWith the introduction of the EOS 5D Mark II camera, the entire Canon EOS system is now equipped with the highly acclaimed EOS Integrated Cleaning System. The Self-Cleaning Sensor Unit for the Canon EOS 5D Mark II has been upgraded with a fluorine coating on the low-pass filter for better dust resistance.
Pricing and Availability
The Canon EOS 5D Mark II Digital SLR camera is compatible with Canon EF lenses and is scheduled for delivery by the end of November. The EOS 5D Mark II will be sold in a body-only configuration at an estimated retail price of $2,699[iii].
It will additionally be offered in a kit version with Canon’s EF 24-105mm f/4L IS USM zoom lens at an estimated retail price of $3,499[iv].
New EF 24mm f/1.4L II USM LensThe new EF 24mm f/1.4L II USM lens is the successor to Canon’s EF 24mm f/1.4L USM professional wide-angle lens released in 1997.
Targeting professional photographers, the new EF 24mm f/1.4L II USM lens has been introduced to address the advancements high-resolution digital SLR cameras with re-designed optics and use of a new anti-reflection lens coating called SWC (Sub-Wavelength Structure Coating) to minimize ghosting and flare. Features such as dustproof and waterproof construction that have been adopted make this a high-performance lens with specifications that respond to the demands of professional users.
A welcome complement to the EOS 5D Mark II Digital SLR camera, the EF 24mm f/1.4L II USM lens is scheduled to be in stores this December at an estimated retail price of $1,699[v].
•14-bit conversion
•3.9FPS unlimited burst rate with JPEG using UDMA CF card, or 14 RAW (standard CF card is 78 JPEG, 13 RAW
•Four-channel readout that's 2.2x faster than the 5D
•Lens peripheral illumination correction
•15-point auto-focus
•Creative auto mode, also like 50D
•Auto-lighting optimizer
•Three levels of noise reduction that kicks in above ISO800•RAW, sRAW1 (10MP), sRAW2 (5MP)
•Three-inch, 920,000 dot-screen•New and improved battery (incompatible with old one) that delivers 850 shots or 1.5 hours of video•150,000 cycle shutter
•Magnesium alloy body
•NO built-in flash
CANON U.S.A. INTRODUCES THE HIGHLY ANTICIPATEDEOS 5D MARK II DSLR CAMERA FEATURING FULL-FRAME HD VIDEO CAPTURE
The Canon EOS 5D Mark II Escalates Full-Frame Digital SLR Photography to the Next Level withHD Movie Recording Capabilities, DIGIC 4 Imaging Processor, and 21.1 Megapixel Resolution
LAKE SUCCESS, N.Y., September 17, 2008 – Canon U.S.A., Inc., a leader in digital imaging, today introduced the EOS 5D Mark II Digital SLR camera, the long-awaited successor to Canon’s highly popular EOS 5D, introduced in 2005.
Building upon the qualities that made the EOS 5D camera so successful, Canon has coupled the creative power of a full-frame CMOS sensor in a relatively compact and affordable camera body, together with groundbreaking HD video capture that opens the door to a much wider range of imaging possibilities for photographers.
Along with the ability to capture full HD video clips at 1920 x 1080 resolution, Canon’s EOS 5D Mark II Digital SLR camera features a 21.1-megapixel full frame 24 x 36mm CMOS sensor, DIGIC 4 imaging processor and significantly lower noise, with an expanded sensitivity range from ISO 50 to ISO 25,600.
“The anticipation surrounding the launch of this camera model has exceeded our greatest expectations, and we believe our loyal customers will be awed by the level of innovation and features built into the new EOS 5D Mark II Digital SLR. Once they have the chance to experience the camera, we believe they will agree that it was worth the wait,” stated Yuichi Ishizuka, senior vice president and general manager, Consumer Imaging Group, Canon U.S.A.
Among the many advancements in Canon’s new EOS 5D Mark II camera is the Company’s proprietary DIGIC 4 Imaging Processor that powers the camera’s fast 14-bit analog-to-digital conversion for smooth color tones and exceptional gradation. The Canon EOS 5D Mark II Digital SLR offers a full-frame 24 x 36mm, 21.1 megapixel CMOS sensor and continuous shooting at 3.9 frames per second (fps) for an unlimited number of full-resolution JPEGs to the capacity of the memory card or up to 14 RAW images in a single burst when using a UDMA CF card.
The camera includes a 15-point Autofocus (AF) sensor with nine selectable AF points plus six additional Assist AF points (three center AF points sensitive to f/2.8 lenses) with enhanced light source detection and AF microadjustment for greater autofocus performance.
The EOS 5D Mark II camera also features a large, clear 3.0-inch Clear View LCD screen with 920,000 dot/VGA resolution, four times the pixel count of the EOS 5D camera’s 2.5-inch screen, for enhanced clarity and color when viewing images.
The new camera is equipped with a high-performance, high-magnification optical viewfinder providing 98 percent coverage, giving a new dimension to the saying, “what you see is what you get.” Professional photographers will also appreciate the enhanced 150,000-cycle shutter durability of the EOS 5D Mark II camera.
Canon, the first company to introduce a full-frame digital camera, has improved the EOS 5D Mark II Digital SLR camera’s newly developed full-frame CMOS image sensor.
Utilizing proprietary Canon technology, the Company has reduced noise and expanded the sensitivity of the CMOS sensor up to ISO 25600, which is three full stops higher than the ISO 3200 limit of the original EOS 5D camera.
Although the individual pixel dimensions of the EOS 5D Mark II camera are the same as the 21.1-megapixel CMOS sensor used in the EOS-1Ds Mark III digital SLR, the new sensor incorporates an improved output amplifier and a more advanced color filter that improves light transmission while retaining excellent color reproduction.
By applying the same kind of advancements in sensor design and image processing technology as the recently introduced EOS 50D camera, but at higher resolution and with larger pixels, the EOS 5D Mark II achieves the highest level of image quality of any EOS Digital SLR released to date.
With the combination of its improved CMOS image sensor and the powerful new DIGIC 4 image processor, the Canon EOS 5D Mark II camera provides ISO speeds from ISO 100 up to ISO 6400 in 1/3-stop increments, along with two high-speed settings – H1 and H2 – of ISO 12800 and ISO 25600, respectively, as well as a low-speed setting of ISO 50. The full-frame sensor maximizes the performance of Canon EF lenses, the world’s largest selection of autofocus lenses.
HD and SD Video CaptureCanon has taken its expertise in imaging, photography and video capture technology to a new level with the EOS 5D Mark II Digital SLR.
Answering the question of where SLR technology is going next, the EOS 5D Mark II features 16:9 Full HD video capture at 1920 x 1080 pixels and 30 fps as well as 4:3 standard TV quality (SD) video capture at 640 x 480 pixels and 30 fps, both capabilities appearing for the first time in a Canon SLR camera.
Video capture is part of the camera’s Live View function, using the Picture Style that has been set for Live View still image shooting.
This allows skilled photographers and cinematographers to adjust image sharpness, contrast, color saturation and white balance, and have those settings apply to the movie image.
When recording video, the camera’s rear LCD screen can be letter-boxed by a semi-transparent border to match the aspect ratio of the movie recording size. Moreover, the EOS 5D Mark II camera’s HD video capability enables new levels of creative expression through its unfettered access to the complete line of more than 60 Canon EF lenses, which provide an incredible variety of visual effects including everything from ultra-wide-angle and fish-eye to macro and super-telephoto, including many large-aperture L-series professional lenses that can keep the main subject in razor-sharp focus while blurring the background beyond recognition.
The EOS 5D Mark II will record video up to 4GB per clip or a maximum continuous movie capture time of 29 minutes and 59 seconds, whichever comes first.
Depending on the level of detail in the scene, a 4GB memory card can record approximately 12 minutes of video at full HD resolution or approximately 24 minutes in standard definition.[i]camera includes an HDMI (High-Definition Multimedia Interface) output to display crisp, clear images on a High-Definition TV. Video clips are recorded in .MOV format using an MPEG-4 video compression and sound is recorded using linear PCM[ii] without compression.
The new camera features an input terminal for external stereo microphones as well as a built-in monaural microphone for convenience. To help show off those fantastic movies as well as still photos, the EOS 5D Mark II
Live View Shooting
For both still images and video, the Canon EOS 5D Mark II camera features Live View, one of the most sought after features in digital SLRs today. The 5D Mark II features three Live View AF modes – Quick, Live and Face Detection Live mode – for capturing either still photos or video, each with its own attributes. Quick mode automatically sets One-Shot AF using the camera’s phase detection AF system. It also allows users to select the AF point, even while the Live View image is displayed. Although the camera’s reflex mirror must be lowered briefly to take an AF measurement in Quick mode, it is the fastest way to set focus automatically when the 5D Mark II camera is set for Live View.
Live mode uses contrast-detection AF with the image sensor and here, as with Quick mode, users can change the AF point using the Multi-controller. Face Detection Live mode uses contrast AF to recognize human faces. When multiple faces are detected, the largest face closest to the center of the frame is targeted as the AF point. While Live View is engaged users can still change settings including the AF mode (Quick, Live, Face Detection Live mode), drive mode, ISO speed, Picture style, White Balance, and more.
Peripheral Illumination CorrectionThe Canon EOS 5D Mark II Digital SLR camera automatically conducts peripheral illumination correction when shooting JPEG images, a function that previously could only be accomplished through post-image processing using software such as Canon’s Digital Photo Professional, which Canon supplies at no extra charge. Peripheral illumination correction evens brightness across the image field, making an image of a blue sky even toned throughout and reducing light fall-off at image edges. This new feature essentially eliminates one of the limitations of previous full-frame digital SLRs.
Auto Lighting OptimizerCanon’s enhanced Auto Lighting Optimizer technology helps ensure each picture’s subject is clearly visible by analyzing image brightness and automatically adjusting dark areas in images so that they appear brighter.
This function is ideal in high-contrast situations such as urban landscapes captured on sunny days, where the tops of buildings are brightly lit while street level details are obscured by heavy shadows. In this type of scene, the 5D Mark II camera’s Auto Lighting Optimizer technology preserves accurate exposure of the highlights while opening up the shadow areas for a more pleasing tonal rendition.
Canon’s New Creative Auto ModeRecently introduced with the new EOS 50D, Canon’s “CA” Creative Full Auto setting can also be found on the EOS 5D Mark II Digital SLR camera’s mode dial. This setting allows users to make image adjustments such as aperture or shutter speed through an easy-to-understand navigation screen on the camera’s LCD menu, allowing them to “blur the background” or “lighten or darken the image.” These easy-to-understand image options allow photographers to experiment with image options while still shooting in an automatic mode.
Two Small RAW Formats
For photographers seeking the flexibility and creative possibilities of shooting RAW format images, without the large file size, the Canon EOS 5D Mark II Digital SLR camera offers two more manageable file size options with sRAW1 and sRAW2 recording formats. At the sRAW1 setting, resolution is 10.0-megapixels with a file size that is approximately 25 percent smaller than a standard 21.1-megapixel RAW image. With the sRAW2 setting, resolution is 5.2 megapixels at less than half the file size of a standard RAW image, retaining all of the flexibility and creative possibilities associated with full-size, conventional RAW images. Wedding and portrait photographers, in particular, will appreciate the options of variable resolution and file size which allow them to fine-tune the 5D Mark II’s operation for their specific needs.
Silent Shooting in Live ViewCanon has equipped the EOS 5D Mark II with two Silent Shooting modes in Live View which will prove particularly helpful to law enforcement officials, and for behind-the-scenes shooting on movie sets. In Mode 1, the camera will shoot with the mechanical shutter open at the beginning of the exposure, using the electronic 1st-curtain function of the CMOS sensor and a reduced shutter-cocking noise, allowing multiple shots to be taken with minimal noise. In Mode 2, to minimize shutter noise during single frame photography, shutter cocking does not occur until the shutter button returns to the half-way position after shooting.
EOS Integrated Cleaning SystemWith the introduction of the EOS 5D Mark II camera, the entire Canon EOS system is now equipped with the highly acclaimed EOS Integrated Cleaning System. The Self-Cleaning Sensor Unit for the Canon EOS 5D Mark II has been upgraded with a fluorine coating on the low-pass filter for better dust resistance.
Pricing and Availability
The Canon EOS 5D Mark II Digital SLR camera is compatible with Canon EF lenses and is scheduled for delivery by the end of November. The EOS 5D Mark II will be sold in a body-only configuration at an estimated retail price of $2,699[iii].
It will additionally be offered in a kit version with Canon’s EF 24-105mm f/4L IS USM zoom lens at an estimated retail price of $3,499[iv].
New EF 24mm f/1.4L II USM LensThe new EF 24mm f/1.4L II USM lens is the successor to Canon’s EF 24mm f/1.4L USM professional wide-angle lens released in 1997.
Targeting professional photographers, the new EF 24mm f/1.4L II USM lens has been introduced to address the advancements high-resolution digital SLR cameras with re-designed optics and use of a new anti-reflection lens coating called SWC (Sub-Wavelength Structure Coating) to minimize ghosting and flare. Features such as dustproof and waterproof construction that have been adopted make this a high-performance lens with specifications that respond to the demands of professional users.
A welcome complement to the EOS 5D Mark II Digital SLR camera, the EF 24mm f/1.4L II USM lens is scheduled to be in stores this December at an estimated retail price of $1,699[v].
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