Las nuevas cámaras de Cinematografía Digital HIGH END
Breve resumen de las cámaras profesionales de Cinematografía Digital
CineAlta Camera Sony CineAlta F35
Bringing together the advantages of digital technology with film-style operability, the F35 expands the “production toolset” available for high-end digital cinema and prime time program production both today and tomorrow. The new F35 digital cinematography camera offers a Super 35mm-sized CCD sensor and PL lens mount for cinematographers who have passion for 35mm film lenses. The F35's newly developed Super 35mm-sized CCD sensor provides breathtaking picture quality, an extensive range of depth-of-field controls, dynamic range, and F23-equivalent wide color gamut. The PL lens mount of the F35 allows flexible use of the vast majority of 35mm cinema lenses, which greatly expands creative possibilities. The F35 is designed with the same platform as the F23, providing similar capabilities such as SR Motion and over- and under-crank. The F35 also provides an ergonomic design that allows direct docking with Sony's SRW-1 portable HDCAM-SR™ recorder. It's also possible to use an F23 and the new F35 in combination, for even more creative freedom.
Manual
http://ws.sel.sony.com/PIPWebServices/RetrievePublicAsset/StepID/SEL-asset-71692/original/f35.pdf
KEY FEATURES
- “A film camera that shoots digital”
- Proven on hundreds of feature, television and commercial projects
- Super 35mm-sized sensor . Uses all existing 35mm Panavision spherical lenses, notably the Primo® series
- 1-50 fps
- EI 400
- Wide color gamut to easily intercut with film
- Uses most Panavision accessories
http://www.panavision.com/product_detail.php?maincat=1&cat=36&id=375&node=c0,c136,c137
FAQ
http://www.panavision.com/publish/2007/12/10/GenesisFAQs20071207.pdf
Capture Your Imagination
ARRI camera systems include a complete range of 16, 35 and 65 mm format cameras, lenses and accessories, as well as the ARRIFLEX D-21 film style digital camera. For 90 years these tools have evolved constantly to meet the exacting demands of leading filmmakers. ARRI equipment has proven itself time and again both on set and in the most extreme climatic conditions: from the frozen arctic and the scorching desert to the depths of the ocean and even to outer space.
ARRIFLEX D-21
http://www.arri.de/camera/35_mm_digital/arriflex_d_21.html
Brochure
RED Cameras
The RED ONE™ body – designed for flexibility and functionality. Weighing in at 10 lbs, this is a streamlined package specifically designed to maximize your shooting options. Matched with a 35mm PL lens mount, it allows you to take advantage of the world’s finest optics. Modular and upgradeable, the RED ONE™ camera is a future-proof acquisition system you can build upon. RED ONE™’s modular design means you can upgrade with us as we add new features and accessories, as well as benefitting from performance improvements with each new free firmware upgrade.
Take a look at the Swedish Ikonoskop A-cam DII.
Ikonoskop provides contemporary filmmakers with the coolest, lightest and most inspiring tools for professional work on cutting-edge film projects. Our aim is to support our customers to do the most interesting work in their respective field.
It is what we like to call the 'High Definition RAW Format Motion Picture Camera'.
A-cam dII is brought to you by Ikonoskop, the innovators behind the A-cam SP-16. With a proven track record as one of the world's most innovative and experimental design-driven camera manufacturers.
Ikonoskop is run by filmmakers and all products have emerged out of a personal need for new tools of expression.
FAQ
FAQ for A-cam SP-16
http://www.ikonoskop.com/article/14/
FAQ for A-cam dII
http://www.ikonoskop.com/support/faq_dii/
Silicon Imaging
The full-reatured, all-in-one portable design of the Silicon Imaging SI-2K combines a digital cinema class 2048x1152 resolution camera head, IRIDAS color-management technology, and the power of CineForm RAW™, to deliver a direct-to-disk raw recording platform with unprecedented image quality and shooting flexibility. It's low-noise, high-dynamic range images, with over 11 f-stops of dynamic range via an on-chip 12-bit A/D converter, are freely manipulatable with user-generated IRIDAS .look files, creating a "blank-slate" for the cinematographer to freely express his or her vision. IT-friendly connectivity through integrated 802.11g wireless access, Touchscreen interface, Anton-Bauer battery-powered operation, and up to 4-hours of continuous shooting on a 160GB notebook hard drive round out an impressive array of digital cinema firsts in the industry.
http://www.siliconimaging.com/DigitalCinema/SI_2K_key_features.html
CUNIMA
The CUNIMA MCU[1]’s modular accessory concept permits a continuous and flexible adaptation of the camera to the respective production requirements. In this area, the wealth of experience gathered by the globally leading TV production expert, WIGE MEDIA AG, over the course of many years was incorporated – and the same applies to your individual demands.
http://www.cunima.tv/index.html
Datasheet
http://www.cunima.tv/sites/WIGE_factSheet_CUNIMAMCU[1].pdf
High Speed Cameras Phantom by Vision Research
The Phantom HD and 65 provide the ultimate in high resolution slow-motion digital imagery for TV productions, commercials, music videos, documentaries, digital cinema, broadcast sports and critical instrumentation applications.
http://www.visionresearch.com/
Phantom 65 4K High-Speed Digital Camera
The Phantom 65 is the world’s first 65mm-sized digital cinema camera. It gives you 4K (4096x2440) resolution, Vision Research’s advanced high-speed capability, and selectable acquisition formats with an image quality that rivals film.
http://www.abelcine.com/store/product.php?productid=1000190
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